Named for the quote “I adjure you, O daughters of Jerusalem, if ye find my beloved, what will ye tell him? That I am love-sick” (Song of Songs 5:8), the play, written by Ofra Daniel and co-composed with Lior Ben-Hur, spins a metaphysical tale about a dissatisfied married woman, Tirzah, who starts receiving love letters and finds her own sexuality.
It starts in what could be modern-day Tel Aviv; the cast is dressed in contemporary apparel. The bedraggled Tirzah (Ofra Daniel) reminisces about her love life in Jerusalem. As the narrative progresses, Tirzah slowly strips down to undergarments, and the dancing becomes more sensual and self-assured.
Though Sasha Olinick plays “The Husband” and Ali Paris plays “The Lover,” there’s undertones that Tirzah is really falling in love with herself, or maybe it’s the idea of love that gives her confidence. “The Women of Jerusalem” (Sarah Corey, Sarah Laughland, Kara-Tameika Watkins and Kanysha Williams) play the Chorus, passing judgment but sometimes lending support to the rest of the cast.
I found their harmonies to be impressive and haunting. The instrumentation didn’t drown out any of the singers, and it added diverse undertones, from Latin music to Middle Eastern. Hebrew and Biblical quotations are peppered into the lyrics, adding historical weight.
I also liked all of the choreography, particularly when the Women of Jerusalem danced around Tirzah with scarves. With so many people often on stage—up to seven actors and eight musicians—it was a true juggling act!
The ending feels a little sad, as we know Tirzah will ultimately abandon love and turn into the bedraggled woman from the beginning. But the audience in the cast talk back session of Sept. 11 was more interested in the true identity of the lover. Poignant to current events, the role of the lover is played by Paris, a Palestinian, while Daniel is Israeli.
Daniel pointed out that in her first iteration of “Love Sick,” she played all three roles of Tirzah, husband and lover, further lending credence to my self-love theory. But I like that the play has expanded to multi-cast; the other actors and musicians make this world feel expansively lush. Kudos as well to the crew for all of the moody lighting. I’m not sure what all the fog and the jungle sounds in the beginning were all about, but that’s okay! 😛 The tree provided a nice platform for the lover to ascend and play his music, on the harpsichord-like Middle Eastern qanun, down to Tirzah.
“Love Sick” will be running at the bright and newly renovated Edlavitch DCJCC until Sept. 29. You can buy your tickets here!